Yates Zaldevour is an Atlanta native based artist. In 1981 at the age of 5 he got a hold of Rush’s Moving Pictures on 8 track cassette. He listened to it alone, and thought everything was going ok until the very last song, Witch Hunt. He’d never heard music sound creepy before. It was as if someone was stalking him. “What are these bizarre background noises? What is going on here?” Yates turned it off, and ran away from the radio. Only to find himself slowly peeking around the corner, and coming back to listen again. Not much later in life, one of his brothers showed him the movie The Shining. He was terrified and entranced at the same time; yet seeking to know more about these crazy sounds that elicited emotional and physical reactions. Later on, in his teens, he took up drumming, and learned some basics on guitar. In the early 90’s he discovered drum machines and general midi synth boxes. By the mid 90’s he had found samplers and things took another direction in sound creation. By 2014 he landed in the modular zone, and once again, life changed for the better.
This session is somewhat of a telling of his musical past, present, and where the future can go. The performance is based around his eurorack system and a few of it’s all in one synth friends.
Yates currently can be found online at SoundCloud – His personal page of music and sound exploration, old bands, and few of the projects and scoring he has done.
Booksy is an underground electronic music project recording in Brooklyn, NY. A native of NYC and a founding member of Fictions, in his solo work Booksy explores a sonic topology flowing between skittering nomadic techno/electro and primal drone constellations. Modular and non-modular analog and digital synths, samplers, and drum machines were assembled for these recordings, which were all conducted and recorded in live takes.
Norma Saguaro lives in Portland, Oregon where she is finishing a degree in Economics. She hosts an electronic music focused radio show called ‘Beyond the Marble Palace’ on Freeform Portland, 90.3 fm, and after a long sabbatical has just recently started writing music again. Her favorite things include the smell of incense, long walks in fog, fried chicken, the sound of a saxophone being played far off in the rain and her sweet dog, Lucy.
You can catch her on radio show online every Saturday at 4am Pacific Standard Time (GMT-7 or GMT-8 depending on Daylight Savings Time).
During the embryonic development of the modern musical synthesizer, Morton Subotnick envisioned a day in which an individual could become the audience, the director, and the performer of a musical work all at once. The belief was that a device could exist that one could explore a sonic space with in real time and move from “point to point” within this space guided by feelings, emotions, or any other perturbation of the mind. With the creation of such a device (the “synthesizer”) in 1963, Subtonick’s idea became reality however alternative interpretations of its utility also emerged. With time, the “synthesizer” came to predominately be an instrument with which equal tempered, melodic music was created, recorded, and distributed among the masses. A select few have, however chosen to investigate and develop the concept closer to Subotnick’s original vision of the man-machine interaction. adamon is Damon Mar’s pursuit of this.
adamon is Damon Mar
Lawrence F**king Kansas