Data Cult Audio 0041 – Booksy

About:

Booksy is an underground electronic music project recording in Brooklyn, NY. A native of NYC and a founding member of Fictions, in his solo work Booksy explores a sonic topology flowing between skittering nomadic techno/electro and primal drone constellations. Modular and non-modular analog and digital synths, samplers, and drum machines were assembled for these recordings, which were all conducted and recorded in live takes.

Links:
https://booksy.bandcamp.com/album/civilization-and-frivolity
https://soundcloud.com/booksy-1
https://vlsc.bandcamp.com/album/things-we-stole

Data Cult Audio 0040 – Norma Saguaro

About:

Norma Saguaro lives in Portland, Oregon where she is finishing a degree in Economics. She hosts an electronic music focused radio show called ‘Beyond the Marble Palace’ on Freeform Portland, 90.3 fm, and after a long sabbatical has just recently started writing music again. Her favorite things include the smell of incense, long walks in fog, fried chicken, the sound of a saxophone being played far off in the rain and her sweet dog, Lucy.

You can catch her on radio show online every Saturday at 4am Pacific Standard Time (GMT-7 or GMT-8 depending on Daylight Savings Time).

Links:
Radio: https://www.freeformportland.org/program/?show_name=beyond-the-marble-palace
Instagram: https://www.instagram.com/proximal_distal/

Data Cult Audio 0039 – Adamon

About:

During the embryonic development of the modern musical synthesizer, Morton Subotnick envisioned a day in which an individual could become the audience, the director, and the performer of a musical work all at once. The belief was that a device could exist that one could explore a sonic space with in real time and move from “point to point” within this space guided by feelings, emotions, or any other perturbation of the mind. With the creation of such a device (the “synthesizer”) in 1963, Subtonick’s idea became reality however alternative interpretations of its utility also emerged. With time, the “synthesizer” came to predominately be an instrument with which equal tempered, melodic music was created, recorded, and distributed among the masses. A select few have, however chosen to investigate and develop the concept closer to Subotnick’s original vision of the man-machine interaction. adamon is Damon Mar’s pursuit of this.

adamon is Damon Mar
Lawrence F**king Kansas

Links:
https://soundcloud.com/adamon
https://adamon.bandcamp.com/
https://www.youtube.com/user/adamonnoise

http://marsynth.com/
https://ethereallive.wordpress.com/2011/12/21/el012-adamon-ships/

Data Cult Audio 0038 – Miles MacQuarrie

About:

Miles Macquarrie went to college for audio engineering and has always had an interest in sound design. He also has a love for synthesizers and the music created by them. Influenced by new wave, minimal synth, electro, and ambient, he uses modular synths as a way to relax when he is not busy running his restaurant, Kimball House. 

Links:
www.kimball-house.com

Data Cult Audio 0037 – J.Alpinist

About:

“Mountaineering is often called Alpinism, especially in European languages, which implies climbing routes with minimal equipment in high and often snow and ice-covered mountains such as the Alps, where technical difficulties frequently exceed environmental and physical challenges. A mountaineer who pursues this more technical and minimalist style of mountain climbing is sometimes called an Alpinist”

J.Alpinist is the moniker of John Hornak, Canadian Producer and Mastering Engineer (Michelle Gurevich, Hermitess, Locutus). Improvised ambient dub composition mixed with precision. Employing modular hardware, software and projection mapping. The 4 part Album/EP series “Offerings” will be completed spring 2018 with the release of Offerings #4 at jalpinist.com and all major digital outlets. Look for J.Alpinist on tour in North America in 2018.

Best Enjoyed Loud.

“a unique sound featuring delicate layering and beautiful space-age melodies. A gorgeous compendium of illustrative sound.” – Earshot

Links:
jalpinist.com
@jalpinist

Data Cult Audio 0036 – Helvetian Waves

About:
Helvetian Waves is a side project of Andrés Fuentes, a classical–trained pianist, composer and physicist based in Zürich, whom has been commissioned on several occasions by the Mozarteum (Salzburg) to write electroacoustic music, by the Academy of Fine Arts of Vienna to develop intelligent sound installations and, more recently, by the IRCAM (Paris) to research on new techniques of Deep Learning addressed to music. His oeuvre is quite versatile, including his characteristic nonlinear metric and atonal structures, as well as chromatic post-minimalism envelopes.

Links:
SoundCloud: https://soundcloud.com/helvetianwaves 
Bandcamp: https://helvetianwaves.bandcamp.com

Data Cult Audio 0035 – Erin Cooper

About:

Erin April Cooper is an experimental improvisational musician based in Portland OR. She creates her pieces using a variety of synthesizers. Her pieces are inspired by her emotions and life experiences.

Links:
https://soundcloud.com/rinprilooper/
https://www.youtube.com/channel/UC_ldvGq1L8_aU5LwOJ-f_XQ

Data Cult Audio 0034 – Adaptive Machines

About:

Adaptive Machines is a live performance based project from Portland, Oregon. Started by Scott Worley of Jatun in late 2013, as a way to eschew recording on the computer and get back into the world of modular synthesizers and recording live performances through analog mixers directly onto tape (reel to reel, 4 tracks, 8 tracks) with no overdubs or post production involved. On the cusp of releasing the 8th installment in his current VOLUMETRIC series, Scott shares the opening songs off of his upcoming releases, VOL X and VOL XI. He shares some words about Adaptive Machines and the VOL series:

“It takes me anywhere from a day to two weeks to finish a patch on the modular. At the moment of finishing the patch it’s pretty typical of me to hang out for many hours in a meditative trance, listening to the ebb & flow of interactive modules at play. It’s really nice to step back and admire all the work put into what essentially is a temporary piece of art. At this point I’ll spend the next couple of days learning how to perform it before recording it live to tape for documentation. These series of tapes are called VOL, short for VOLUMETRIC. VOL I – XX were recorded to a variety of analog tape formats over the course of January 2014 to December 2015 and are currently being released exclusively through Bandcamp.”

Adaptive Machines can be found on the web at:
Facebook – https://www.facebook.com/adaptivemachines
Bandcamp – https://adaptivemachines.bandcamp.com/
Website – http://www.jatunmusic.com/

Data Cult Audio 0033 – Huron

About:

Huron is the project of NYC / Pennsylvania-based musician Johnny Lancia. He’s been releasing slowly drifting sounds for over 10 years now, using modular synthesizers, obsolete samplers and tape loops to craft his blissed out drones. This piece was recorded especially for Data Cult Audio and was composed using the Tascam 424mkiii cassette four track as an instrument loaded with tape loops painstakingly created by hand. Recordings of analog synthesizers are warped and twisted with each pass of audio. Casio SK-1 was also present.

Links:
https://huron.bandcamp.com/
https://www.facebook.com/huronmusicnyc
https://www.youtube.com/user/huronmusicnyc

Data Cult Audio 0032 – The Polymer Cities

About:

The Polymer Cities is the experimental project of Allan Murphy’s many musical/artistic activities which also include Own Brand (formerly Midwich Youth Club)/Pages from Ceefax/Kehrschleife.

The Polymer Cities is a Psycho-Geographical exploration/representation of potential future spaces and their emotional stimuli.

The aim of this piece is to reproduce an impression of the phenomena of ‘Data Rot’ the breakdown of digital files which sometimes results in the odd merging of files on a hard disc. creating new hybrids of information – a sort of cut-up writing for the digital realm in which a potential future might leak through.
Allan has used mainly unfinished Polymer Cities pieces as the core sounds and juxtaposed/manipulated them with various experimental processes alongside freshly created musical material to represent what an album of his would sound like in the future after data rot.

Links:
thepolymercities.bandcamp.com/